New Flocked Curling Irons

News

April 1, 2010

The artist will attend the exhibition
Vectores Invertidos international artists in Buenos Aires organized by the art gallery
The Guanacazul
http://www.laguanacazul.com/
April 15 to May 9


inauguration Thursday 15 April Defense
19:30 677 San Telmo Buenos Aires

artisti:

Hadrien Bernard France

Netherlands Bernard Coops

Lisa Franz germany / china

Italy Mirco Marcacci

Georgia Levan Mindiashvili

Italy Giorgia Moretti

Mowszovicz Fabian uruguay

Teresa Poester brasil

October 11, 2009 An article on
Giorgia Moretti will be published in the bimonthly magazine of furniture La Maison December / January
http:// lamaison.agenziaten.com /

August 2, 2009

Giorgia Moretti attend the event Private Flat to be held in Florence during 2, 3, 4 October at several apartments in the city (Via del Castellaccio 3, the one that exposes the artist)
Friday, October 2 from 16:00 to 21:00, Saturday 3 and Sunday 4 from 10.00 to 19 . 00
http://privateflat.it/

July 27, 2009




From July 25 to August 28
Staff Giorgia Moretti
to ' Absinthe literary café (Via Bilancioni 14, Rimini) is open from Thursday to Saturday from 3.00am 19.oo
Curator - Alessandro Giovanardi

July 25, 2009


Giorgia Moretti attend the event The day art August 2 at the center Kas8 Young (via Ravenna 75) in Bellaria Igea Marina . The event will take place in a single day from 17:00 and there will be many artists and musicians




April 21, 2009

The artist will participate in the collective Current Trends at:

STUDIO ART Q - CURRENT TRENDS Group Exhibition May 2 to 16
via Dante 10/12 Pontedera, Pisa

Editors: Massimo and Daniela Quadrelli

January 20, 2009

The artist created an image of
HOMO the devastating role of male Neanderthal today Giorgio Giannini

http://ilmiolibro.kataweb.it/schedalibro.asp?id=142848

Finga Fingerboards For Sale

Critical text: Transparency disturbing

Transparency disturbing Alessandro Giovanardi

The sacred arts There are bodies that ancient numinous - as human or animal - not to distance themselves from common experience to have, beyond the apparent similarities, there is nothing comparable to the physical structures of life known to us or investigated scientifically. To support the figure does not include bones or muscles, tendons or nerves can not see, let alone just to show the skin firm, with air sweetness, the hidden spiritual forces. And so the faces and profiles Egyptians, Hindu gods and goddesses, the Buddhas, Greek and Indo-Tibetan and Chinese, the Christian Byzantine and Romanesque, have a mild and radiant physicality, quietly and without agitation, in which only the Spirit soul meat, and the claims.
Giorgia Moretti seems to bring the energy flow of ancestral power of painting and sculpture in what these rituals, in large part, deny visually: the skeleton, the plots lymphatic, nerve pathways and mechanical properties. The painter is confronted, therefore, an object that inspires and restless contemporary art, namely the X-ray, not, however, using it directly and even obsession with copying of documents, but evoking the surface transparent and revealing, revisited with imaginative games and disturbing comparisons . There, where the plate is able to offer only diagnostic properties to interpret signs, Moretti shows pictorially the synthetic sense of life and movement, the flow peaceful or militant forces in peace or in contention almost as a reminder that art is in its ability to realize a comprehensive survey poetic radiograph the only possible reality, all living in his uniform, in his implicit harmonic drama. The specific point of view is, finally, the deep-sea fish biology, falling in love for the shapes of fish and shellfish neon night ocean of perennials, superimposed over human transparencies and merged with the organic man. It is the reference to a set depth as possible and dial-up, a figure known of common knowledge that time is precious because esa r traced back to ancient perception mystery.

The disquieting transparence

The ancient holy arts show us godlike bodies which take distance from common experience not to possess anything comparable to physical structures of the known and scientifically explored life.No bones or muscles sustain the figure, we perceive no nerves neither tendons, we only see compact skin gently disclosing the hidden spiritual forces. Thus, Egyptian profiles, Hindu goddesses and gods, Tibetan and Chinese Buddhas, Byzantine and Romanic Christs possess a light and glowing corporeal quality where only the Spirit makes the bodies seem alive. Giorgia Moretti wants to bring the energetic flux of ancient ritual painting and sculpture powers into what they visually deny: bony frameworks, lymphatic plots, nervous and mechanic systems. Therefore the paintress tries to face and challenge the contemporary arts through a disquieting dimension: the radiography, not copying it with obsession but evoking its transparent surface. There, where a radiography helps the doctors to interpret motionless signs, Giorgia Moretti picturesquely brings back the synthetical sense of life and motion remembering us all that Art, with its inquiring ability, can take the only possible radiography of the reality in its harmonious and implicit dramaticity. Another visual referent mark is, at last, the ichthyc biology of the abysses, the love for phosphorescent shapes of molluscs and fishes of the never-ending ocean nights.

Used Optimist California

Vezzo, hypocrisy or clearance of masculine vices?

(Paolo Sarti)

probably hypocrisy minutes saw its greatest use of terms such as "blind" (= sac), "deaf" (= deaf), "operator ecological "(= garbage), not to mention the top, bordering on mockery," differently abled "(= disabled).

seemed to be over, and already was beginning to replace some lights in his vocabulary the old terms, to do justice to the suffering and human distress.

But, as now taught in today's society, there is no limit to the bottom! Here is a new contribution to verbal barbarism "escort" (= prostitute), and fresh yesterday's La Repubblica, Florence edition, "drag queen" to talk about a transvestite.

But what is the problem of these journalists so willing and ready to put these "hard to not say" want to look chic or better educated? Or perhaps they are embarrassed to talk about the issues with clarity Social? Or want to protect children, uneducated known in the English language, from the miseries of human nature?

The question that worries me is that we want to rise to the dignity of the profession of the person and degradation of the report. The assumptions are so many but it seems now, at this stage in history and politics, the most likely: to give way to those who "enjoys" of these new jobs to save the public image, through a pseudo language clean.

Berlusconi and many other Italian men like him ... basically you are just aimed at professionals!